Natalie Wildgoose is a North Yorkshire– and London-based singer-songwriter whose music carves out space for stillness, memory, and the natural world. Raised among moors and mist-shrouded landscapes, she writes and records songs on vintage pianos scattered across the Yorkshire Dales, using her grandfather’s reel-to-reel tape recorder to capture the ambience and crackle of place.
Her latest EP Come Into The Garden (2025) unfolds like a collection of ghost-songs: minimal piano, tender vocals, and subtle traces of analogue tape hiss. Wildgoose’s music occupies a haunting territory between folk, alt-country, and art-song — think trembling melodies, spare arrangements, and an almost archival intimacy. Her voice and approach have been likened to the spectral folk tradition of Molly Drake and Sibylle Baier.
Emerging from poetry and place, Natalie’s songs draw on themes of nature, longing, and the rhythms of rural life, inviting listeners into quiet rooms, old halls, and the hush of moorland nights. As she hones her craft, she stands out as a captivating new voice in the UK folk and alt-folk scene — unafraid to lean into fragility and stillness, transforming memory and landscape into deeply felt music.